is the grass any bluer...

is the grass any bluer...
on the other side?

Tuesday, December 27, 2016

Art For Healing a Heart

This year, I have learned, oh so much.  For instance, I've been silent when I wanted to be loud.  I have learned to be at peace when anger is at the front of my mind.  Further, I learned my grief can bring comfort to those in need.

My experience of grief manifested itself in a multitude of ways this year.  I lost my sister in January when she had a stroke and forbid me to see her.  I lost my good neighbor Phyllis, with whom I tried hot fudge sundaes and olive nut sandwiches all while plotting our next escapade to the Lexington Cemetery. She let me teach her how to TEXT, for God's sake.  Loved her so much!  She was almost 90, and had the best  sense of humor. She trusted me; it was a mutual thang that kept getting better throughout the past year.  She went to be with her beloved Joe in November, and though it was tough to say goodbye, I knew she was ready.  But yeeouch, that really hurt my heart. 

At Christmastime, my baby sister got mad at me, again, which she does every year at Christmas.  Sigh.  Grief.  Oy.

Grief for the passing of so many great musical artists has been abundant this year, starting with Natalie Cole, David Bowie, Glenn Frey, Prince, Leonard Cohen, Merle Haggard, George Michael just to name a fraction of those whose legacy is all that is left for the multitudes to enjoy. albeit forevermore. 

Many of my friends lost their spouses, mothers and fathers, too many to mention.  As my friend Mayme used to say, after the first death, there is no other.  You keep reliving them over and over when others die.  Yipes, this has been a tough year for grief, but hallelujia.  I have survived it, my grandkids love me, and two of them are actually in touch with me, and most importantly I am using art to heal my heart.

I am reading, writing a play about the family, painting, drawing, and having fun exploring just how bad my skills are at doing so. 

After reading GIRL WITH A PEARL EARRING by Tracey Chevalier, I started trying to draw said girl with a pearl.  That has been hilarious, and my birthday twin, brother Addison, is attempting to do it as well.  It has been a Joy to fill my time with painting and drawing, even if I am poor at it, the level of Happy is beyond explanation. To share it with Ad has been truly inspirational.

The second book to inspire has been my birthday gift of THE ARRIVAL by Shaun Tan.  It is a totally different piece, a graphic novel!  I still don't understand its meaning, but I am getting there via the artwork which is fantastical and striking ... on a boat ... :)

Happy New Year to all who have stuck in with this blog so far today. It really has no meaning, but to wish y'all a lovely holiday and to let you know I survived 2016.  With God, all things are possible!

Love love love and love,

Friday, October 21, 2016


I admit I support Hillary Clinton.

It takes courage to say it here in the red Bluegrass state.

Her entire adult life's been spent fighting for the marginalized people of America... especially women and children, as the Bible directs us to do.

I am APPALLED at friends of mine from childhood who drop f-bombs everywhere regarding my gal, Hilldawg! Just sickening, the things they say. So called Christians, too!!

Now, I grew up in N Ky, where Democrats are scarce. My parents were liberal but *we* went to church every week. They were active in numerous altruistic efforts. They were religious when we were growing up. They didn't wait...

They were the best role models for a kid. They taught me courage.
Courage to believe.
Courage to seek justice.

For that, I am grateful!

Tuesday, September 27, 2016

Peter Suarez Talks About His One-Man Show (Coming to DAC This Week)!

He once starred in ZORRO: THE MUSICAL at Alliance Theatre in Atlanta
Peter Suarez is back in town; and look out folks, he likes to push buttons.  He is a singer, songwriter, actor, and first class performer that you may recognize from his days with various Bluegrass arts groups, including his 8 years leading the band, Michelangelo's Soup.  

His songs are performed at personal as well as professional events...maybe you've heard his music.  Or perhaps you saw him perform in various plays-in-the-park, Renaissance fairs, performing feats of derring-do ... such as setting himself afire.  He does that a lot; and he does it well.

I had the pleasure of sitting down with Suarez last week at Alfalfa's, where we talked about his upcoming show, and where he has been for the past few years. I met him 10 years ago through mutual friends, and I'm glad to say he has not changed one iota in regard to his courteous manner and entertaining personality.

He will once again be "sparking up" on stage at the Downtown Arts Center this week, but not in the pyrotechnical sense.  He has written a one-man show in which he portrays five characters, all crafted especially to poke fun at the world around us, and to purposefully guide us to introspection. His monologues will be thought provoking, buttons will be pushed, but his message is hopeful.  

He tells me he is "speaking to the Grand Us, in an aspect illuminated through the human experience of five people.  There are no costume changes, it is a simple show starring five curious characters to prod and poke and make us think.

No fire.

No smoke.

Simply a line of provocative characters telling it like it is. Every one of us has been there, we all have people inside, and it's illuminating to explore that facet of our personality.

Suarez started getting paid to perform when he was six years old, and he has never looked back, claiming he has "never held a real job."  His success was spotlighted when he choreographed the 2006 Silver Medal winning dance for the US Ice Dancing Team; he has danced with the Metropolitan Opera, Lexington & Louisville Ballet companies, and Cirque de Soleil.  These are only brief bullets on his impressive resume.  

You will not regret watching this fireball perform. The Tampa Bay Review says the performance is "...touching and puerile, funny and irreverent...a master of satire, even when aimed at himself."

To see the show tomorrow and Thursday, call 859.425.2550 today!!!

See you at the show.

Monday, September 12, 2016

Central Celebrates 200 Years With "CENTRAL FOLLIES," a talent show, on November 5

Did you know the Central Christian Church (Disciples of Christ) is celebrating its TWO HUNDREDTH birthday?  In a year of recognition, Central Christian Church's ministers have geared sermons toward acknowledgement of the many parts that come together to bring about the historic two centuries of sharing bread and fellowship.  

The congregation opens its doors to all; and at 8:30 and 11:00 a.m. on Sundays, everyone is welcome at the Table.  Central's focus on music in worship will be accentuated and highlighted by the upcoming Follies at the Singletary Center, when church members perform in a church-wide talent show!  Check here for more details to come ;-)

From Central Christian's Pastor David Shirey, an outline of this year's landmark celebration of worship and community outreach:

200th Anniversary Year

Delighted that 2016 is Central’s bicentennial year, it is worth noting that it was founded by Disciples forebear Barton Warren Stone in 1816, the Hill Street Christian Church became Main Street Christian Church in 1842, which became Central Christian Church in 1894. Central's is a grand heritage worthy of a year’s celebration.

Last year, representative members of the congregation have gathered on three different occasions to plan for this gala year. Their times together have been fruitful, imaginative, and exciting.

More comprehensive information will be forthcoming, but am pleased to whet your appetite in a review of what's happened and what is to be.  Our 200th year has been marked by monthly themes with one Sunday’s worship focused on the theme and an additional special event to complement the worship. We also planned for three festive shared meals—a spring banquet, a summer picnic, and a fall Homecoming Weekend.

The monthly themes:
January- History
February-Disciple Beliefs
March- Lent/ Easter
April - Music
May - Unity
June - Education
July - Outreach
August - Our Historic Sanctuary (symbols and stories)
Septembe r- Life Transitions (baby dedications, baptisms, weddings, funerals)
October - Homecoming
November- Talent Show / Thanksgiving

In November, the many talents of the congregation and staff will be highlighted at the Singletary Center for the Arts recital hall -- The Central Follies.  An all-church talent/variety show to celebrate Central’s 200th at UK’s Singletary Recital Hall.

Matinee Show on Saturday, November 5, 2016

ATTENTION RADIO LISTENERS of Central's live broadcast of the 11 a.m. Sunday service each week: our radio station changed to WWRW 105.5 FM in September 2016!


Thanks for reading all this ... working without a safety net these days makes for some interesting cryptic notes!  I am doing fine; my family is doing well; my apartment is still mine; I have food and water.  

It's good to be Kimmy!!


Hope to see you at the show :)



Friday, September 9, 2016

The Stars Come Out for BadMouth Theatre Company's Theatrical Debut!

What would a beekeeper and a physicist have in common???

The Stars Line Up for Edgy New Theatre:
BadMouth Theatre Company debuts with Nick Payne’s Constellations

Who:     BadMouth Theatre Company
What:    BadMouth Theatre’s Theatrical Debut
When:   September 9-11, 2016
Friday, September 9 and Saturday, September 10 at 7:30pm, Sunday, September 11 at 2pm.
Where:  Lexington Downtown Arts Center   
            141 E Main St, Lexington, KY 40507

Box Office: (859) 425-2550. Ticket Pricing: $15 General, $10 Student

Got a great message from Artistic Director Blake Taylor about BadMouth Theatre's debut performance of CONSTELLATIONS this week.  Just today have had a chance to post about it - check it out, it opens TONIGHT!!!!!

Roland (a bee keeper) and Marianne (a theoretical physicist) meet at a party. In that single moment, an unfathomable multitude of possibilities unfold. Their chance meeting might blossom into a meaningful relationship or a brief affair: it might lead to nothing at all. Each step along those possible paths in turn offers a new series of potential outcomes: a marriage can exist alongside a breakup and a tragic illness can exist on a parallel plane to a happily ever after. In this clever, eloquent and moving story, Roland and Marianne’s romance plays out over a myriad of possible lifetimes, capturing the extraordinary richness of being alive in the universe.

Directed by the BadMouth Ensemble. Featuring Griffin Cobb as Roland and Abigail Hamilton as Marianne.

Set, costume, and graphic design by Levi Kiess. Lighting and sound design and technical direction by Rebecca Clancy. Stage Manager: Andrea Nikki Ramos.

For more information on an upcoming production or to schedule an interview or in-house rehearsal visit, please contact Blake Taylor @ 859-699-6490,

See ya at the show!

Thursday, July 28, 2016


GREG JONES in THINGS THAT MATTERED  (Photo courtesy of Caleb Maas)
Tonight Studio Players will open its Third Annual 10-Minute Play Festival at the Carriage House on Bell Court, beginning at 8:00 p.m. -- no reserved tickets, simply show up well before the first play, which is called SANDBOX.

SANDBOX is a nice appetizer for the feast of six other plays to follow. It was written by internationally acclaimed Hollywood screenwriter Scott Mullen, directed by Western Kentucky University professor Jenny Christian and its cast includes familiar faces, Meredith Crutcher, Joe Gatton, Tom Phillips, and Esther Harvey.  It's a tasty opening for a night of plays that will tickle your funny bone & bring a tear here and there before you get tickled again. Short plays are the perfect way to see an evening of theatre, knowing if one play is not your cuppa, you can move on to the next 'course' in just a few minutes. What a lovely way to spend the evening with an appreciative audience and enthusiastic actors.
  (Photo courtesy of
Joe Gatton and Tom Phillips take on SANDBOX

Co-Producer Bob Singleton tells me the process of getting the manuscripts and selecting seven plays transpires in phases that begin the Spring.  "We posted an open call for plays in March, and accepted the first 150 for review. They come in from all over, and we always get more than the 150 cutoff. Those 150 scripts are distributed to five 'judges' (30 scripts each). Each judge selects 3 scripts from the 30 they read, for a total of 15 final scripts. We distribute these 7 scripts to the directors for them to read, and we set up 2 nights of unstaged readings. Local actors come in and perform the 15 scripts over 2 nights. It helps with the selection process to hear the plays out loud. The directors, producers, judges, and others are in attendance. We take feedback from everyone, and we ask the directors to list their top 3 choices to direct. We consider all of this, and a number of elements from a production logistics standpoint, and make the final selection of the 7 plays for production."

This is the third time for the play fest at Studio Players, and the fifth time Jim Betts and Bob have produced it. Singleton emphasizes,"Jim came up with the idea, I think in 2009 or 2010. He had secured seven scripts and five directors, and the Thoroughbred Theatre in Midway. I came on board to direct one of the plays, and ended up co-producing with Jim. We've expanded the selection process and moved the production to Studio Players, but the basic approach is still the same."

Singleton explains, "We get submissions from all over the world. I think this is the first year that all 7 plays that we're producing are by playwrights here in the States. We've had at least one overseas author in each of the previous seasons. We collected bios of the playwrights this year, and a few of them have fairly extensive credit in the film and television industry, in addition to play writing."

It's always a difficult decision when you ask a director what the choicest lines in the show are -- ESPECIALLY when there are SEVEN plays from which to choose -- but knowing Singleton would be his courteous and gentlemanly self, I asked anyway.  He tells me,"Favorite moments, that can be tough without spoiling too much (and tough to narrow down)...but some things that come to mind include: Joe Gatton coming into contact with sand; Cathy Rawlings working her magic; Tom and Jerry, the cartoon cat and mouse, brought to life onstage."

Those are just a few examples of the kaleidoscope of comedy and drama you will see performed by Lexington's finest actors, including Damon Greene, Spencer McGuire, Cathy Rawlings in Joe Starzyk's AFTER THE DARKNESS directed by Patrick J. Mitchell; followed by Dan Borengasser's THE THIRD PERSON, starring Jimmy James Hamblin, Aubin Munn, with Carly Moreno as director. Before intermission, you will enjoy SCRAMBLED by Brett Hursey, directed by Lexington Children's Theatre's Jeremy Kisling and features former Disney cruiseline star Elizabeth Ingram, and her partner, Benjamin Torres.

What?  There's more?  Yes!  The last three plays spotlight actors Natalie Cummins, Tommy Gatton, Greg Jones, Suraya Shalash, Sherry Jackson Thompson -- all cast in THINGS THAT MATTERED by Elin Hampton and directed by Mark Smith -- and THE BALLAD OF TOM AND JERRY by television's Liam Kuhn is directed by Sam Jenkins, features Tanner Gray and Kody Kiser.   

I wondered how the sets were chosen to be designed, if they were all simple to do and if that was one of the criteria for selecting the plays.  Singleton points out,"The directors are responsible for designing their sets, but we work in conjunction with them to make sure we're okay from a logistical standpoint in terms of storage space, tech needs and resources for lights, sounds, costumes, set, transition time, and other elements. We help with supplying more complicated items, although we also try to limit the need for too many difficult things. Some shows have required us to stretch some limits, so to speak. We work with the directors to try to find the right balance between telling an effective story with the right amount of set/light/prop/sound elements."

Why should YOU put this on your list of things to do this weekend?  Singleton believes the actors' collective popularity is the marquee attraction. "I think a big draw is the collection of talent that brings these shows and this play festival to life. These are folks you've seen in many other productions all over Central Kentucky, coming together for a night of sometimes funny, sometimes poignant, sometimes zany theatre. It's pretty impressive to me, the array of stories you can tell in 10 minutes, and the gamut of emotions you can cover in that same span. It's a night of quality theatre, and it's a little different from the usual fare, so to speak!" he exclaims.

Sample platter of quotes:

From Scrambled: "Mom, I gotta go. She's got a spatula."
From Ballad of Tom & Jerry: "What would happen? I'd be a God damn hero is what would happen."
From Sandbox: "But it’s a quiet sandbox. A sandbox of non-judgment. Of
peace. Where Betsy can forget about her sex addiction."
From Press Pray: "You can't get more elevated than this"
From Third Person: "Every story has a beginning, a middle and an end. In the
story of your life, you’re in the middle."
From Things That Mattered: "No one is even looking my way. Clearly, I’m damaged goods. Buying me would be like accepting a kidney from a drunk. A dead one."

The festival ends with PRESS PRAY, by screen and television writer Seth Freeman,and features Ryan Case and Laurie Genet Preston.  It is sure to be a wonderful icing on the 7-layer cake called the 10 Minute Play Festival.  There is not a bad seat at the Carriage House; get there early to enjoy the beautiful setting of the Bell Court venue, rain or shine, it's always a fantastic venue.  There are 3-minute breaks between the shows and one 15-minute intermission.

Well done, Studio Players -- can't wait to see the entire set of shows!

JULY 28 - 31, 2016

Sponsored by Context Financial

STUDIO PLAYERS' 2016-2017 Season:
Dixie Swim Club
Whodunnit, Darling?
Stop Kiss
The Ginger Bread Lady
The Fox on the Fairway

For more information about Studio Players, contact
Bob Singleton at

See you at the show(s)!

Saturday, July 2, 2016

Art by Flag Fork Herb Farm's Mike Creech Sold At Farmers Market to Benefit Fund

I was at the Market today, it being Saturday and all, and on my out, stopped at my favorite (and only) geode stand.  As I looked at the ancient rocks and fossils, I saw some prints on the other side of the table.

They were created by Mike Creech, and there was even one of a scene depicting Exile, my favorite Kentucky homeboys, as the marquee attraction at the Dog in Richmond!  I loved it...almost bought it but hope it will be there next week.  

Creech is in a wheelchair due to an accident that left him immobilized from the waist down.

Mike and Carrie Creech were the owners of the Flag Fork Herb Farm and The Garden Cafe in Lexington.  If you enjoyed the food there, you were eating Mike's creations as the head chef!

Over three years ago, he was in a tragic accident while fishing near Cave Run Lake.  That day, his world would change dramatically when he broke his neck and became paralyzed from the chest down.

Through this challenging journey, spending months in rehabilitation at Cardinal Hill, he has shown great character and strength!  With determination, faith in God, great surgeons and the help of family and friends, Mike is improving.  Feeling and reponse are slowly returning to his body.  

Hats off to Mike and Carrie, his dedicated wife!  Currently in a wheelchair, in great spirits, he is able to communicate clearly.  He has participated in many research studies and outpatient therapy at Cardinal Hill.  However from his waist down...he is still immobile.  From his waist up he is quite limited and dependent on 24 hour help from others.  Movement in his arms and hands is the focus of daily therapy also aimed at keeping his upper body strong enough to balance while sitting.  He is able to operate the controls on his motorized wheelchair, feed himself, and even started back to his art work with the help of a care giver.

I encourage you to go to this link and give whatever you can to help his family raise the funds to purchase needed therapy equipment:


Shiloh Center [a 5013(c) non-profit organization]
800 Compton Rd #37A
Cincinnati, Ohio 45231


Call Dan Jackson with any questions: 513.522.5766


Do it my way, and go to the Farmers Market stand on Short Street (on Saturdays) where the geodes are will not be sorry you visited their kiosk!  Buy a print; all proceeds go directly to Mike!



Wednesday, June 29, 2016

Chevy Chase Inn's New Owners Want CCI to REMAIN Our Favorite Watering Hole

Chevy Chase Inn's new proprietors (Kevin Heathcoat, Will Pieratt and Bill Farmer) would love to restore a former landmark on Euclid Avenue. After a year of indoor and patio restorations, they've turned their attention to the outside of the building and its 'curb appeal.'

CCI is almost on-campus, and nearly every student who's attended UK in the last 80+ years has walked through its doors at one time or another. Horse farm owners and grooms from the world over have bellied up to its bar; and the spirit of the room when UK is playing ball on television is pure Bluegrass: unpredictable and entertaining!

Who knows how many names the place has been called over the near-century that Lexington's oldest bar has graced Euclid Avenue? The Eye, Eyeball, SeeSeeEye, the pub, the bar, THE place to meet friends who imbibe.

If you haven't been, well, look for the new sign, hopefully soon to be re-created.

The Squirrels! Steve Lyons, Bob Goff, Rex Hart, JP Pennington
Roger BonDurant and Wanda Barnett

I've seen people of all sorts come and go from the front door of to the back; perhaps they'll make a stop at the friendly but lone pinball machine room or bring in bbq or jambalaya from Toulouse & Bourbon next door. The back entrance takes you through a friendly crowd of patio lovers and if you're there on the right night, you'll hear the music of Roger BonDurant and his musical friends.

But back to the sign, what's this about a new sign? I asked Heathcoat about all the goings on with the new ownership of CCI, and the fundraising campaign to buy of a new sign to replicate the OLD neon sign that adorned the Inn in its earlier days.

Rog B and Ronn Crowder
Heathcoat tells me how it came to happen that he went into partnership with Farmer and Pierratt. "We opened Bourbon n’ Toulouse 12 years ago and Bill [Farmer] was one of the first people we met in the neighborhood. We became quick friends and our friendship has only grown as the years have passed. As for the three of us deciding on trying to buy CCI, I was working at Bourbon n’ Toulouse one day in October of 2014 and Bill came busting into the kitchen and exclaimed “CCI is for sale. We have to buy it!” That conversation finished with a handshake and a shot of bourbon and we were all partners."

As I stated above, the idea started in October of 2014, but we did not finish the sale until March 2, 2015. I went to CCI and talked to Red Eye the day after Bill told me he had heard that CCI was for sale and asked him if the bar was really for sale. He assured me that it was and got me in contact with the owners to discuss the potential of us buying it. I learned that there were two other groups wanting to buy the bar, but neither of the other groups wanted to keep it as the oldest bar in Lexington. One group wanted to turn it into a high-end wine bar and the other wanted to gut the 100+ year old farm house and turn it into a retail space.  We had a lot of trouble securing a loan because the business had been down for many years in a row and the numbers did not make sense to bankers. Thankfully BB&T gave us a loan on what we were trying to save and not on what we were trying to buy.

As far as cajun influence, Heathcoat explains, "I’m from Kokomo, IN and Will is from Lexington. We both worked under Joe Vuskovich who was the founder of Jozo’s Bayou Gumbo and later opened Yats. Joe is a native of New Orleans and a career restauranteur. Will was his head cook for over 12 years.Joe later moved Yats to Indianapolis and that is where I got involved. I retired as an elementary school teacher after a solid four month career and found myself bouncing around restaurants while trying to decided what I wanted to do in life. One day Joe sat me down and told me that Will and I needed to move out of Indianapolis and open our own restaurant. He then called Will and told him that he needed to open a restaurant with me."

"His 'kicking us out of the nest' was the nicest thing anyone has ever done for the two of us! We didn’t know that you were supposed to have money to open a restaurant. We opened Bn’T on seven credit cards and $10,000 I borrowed from my brother. We should have never made it in this business, but hard work and a lot of luck has got us to where we are today."

He assures me the entertainment factor will still remain the marquee attraction. "The music will not be changing, we will just be adding to it. I want Roger BonDurant to play every Friday and Saturday, but we all know that is not realistic. After 30+ years, I think he deserves a weekend or two off! When he is not playing I replace him with some great up and coming musicians. It makes for a great mix of youth and experience. One thing we have changed recently is adding music on Sundays.  The Tallboys are playing every Sunday from 8:00 - 11:00pm.  They play every year on Fat Tuesday and are a perfect fit for CCI.

As of now, we’re only offering private parties as a reward for our Kickstarter campaign. It will be more of a “semi-private” party.People will have wristbands that will allow them access to a Bourbon n’ Toulouse buffet staffed by a member of Bn’T. We would never close off our entire patio to our regulars. They’re the most important part of CCI! We do have people that arrange to throw their own parties at CCI all the time from birthdays to wakes, anniversaries to divorce parties and everything in between. There isn’t much that hasn’t been see at The I over the past 83 years!

As far as the fundraising campaign, Heathcoat let me know where it stands. "We are currently at about 70% of our goal of $15,000. If we meet our goal by Thursday at midnight, we hope that we will clear $10,000 of that $15,000 after Kickstarter take their 8 - 10%, cost of goods on the rewards we are giving out and shipping to get those rewards to the donors.  Fully installed, the sign itself is going to cost around $20,000."

CCI puts this smile on my face ;-)
"We are having a tap takeover with West Sixth Brewing to close out the Kickstarter campaign on Thursday from 5:00pm to midnight. We will be featuring their brand new Half-Bite IPA that is being release on Wednesday. We’ll be one of the first bars to have it on tap. I’ve also hired a local DJ to come in and spin some classic 45’s. He does everything from Motown to Blues to Classic Rock. It’s going to be a great party. We’re either going to be celebrating or dropping a tear in our beer, but either way we’ll be enjoying some awesome beer from West Sixth!"

Saturday, June 11, 2016

Summer Is Near Here

When I think of Summer, I don't always consider it will be filled with being out in the sun, getting a tan and enjoying the outdoors.  I like to be inside, where the air conditioning provides breathable air and I can sit by my window and count the yellow cars that pass below at the intersection of Vine & rose.

I like the cold water in the swimming pool, the shady porches whereupon sit swings and ice cool lemonade.  The hot days of the year make me melancholy for the summers of my youth; since they cannot be re-found, I have to enjoy what I can out of the heated asphalt and concrete outside my little apartment.

If you don't wanna know, skip to below because this is a little rant:

My little apartment is located just where I want it to be, at the corner of Confused and Dangerous.  My 90-100 year old neighbors cannot drive, but they do.  They are not supposed to use oxygen and smoke; but ... oh yeah, they do.  Before you go thinking we're all a bunch of rowdy rulebreakers, just let me tell you, well, hell yeah, that's what we are.  All of us.  I'm the worst of all -- I even use a few flights of the [emergency] STAIRS occasionally!  (don't tell, they'll take away my access to the computers that never work!)

After Christ Church Apartments were bought last year, we all thought it would be just the same but of course, it is not.  The new owners are  not the least bit interested in keeping the seniors in the building, they've raised rent, late notices are in your door the very second 5 o'clock arrives but ya can't get the dangerous automatic doors for the handicapped fixed -- they are more keen on citing people for 'dog' violations.  There is no parking for anyone other than those who pay for a space.  If you visit?  Tough shitski.  Okay?  You're gonna get towed and besides, there are no spaces.  Also, one fellow asked for a Section 8 apartment a year ago when his income was fixed; a YEAR AGO and they keep telling him he's still on the waiting list.  Why?  Landlady doesn't like his DOG.  I'm not kitten...

oy vey, I better hush now about that.

So back to what I like about Summer. I like memories of when all my family was still around, and everyone was still healthy.  We had strawberries and mint growing all 'round the house from April to October; Marshall, Ad and I would climb the cherry trees to the very top (!) and Mom never knew. Or did she?  heh

We had a garden and though I hated picking beans, I loved canning them, along with tomatoes and all the other goodies we grew.  Summer was the time to play softball in the backyard, or swim at the pool, and eat cold watermelon on the swing while the sunset.

Now I just eat my cubed watermelon, today from Shorty's Market (which is closing today, sadly). I paint with watercolors and listen to music from the 40s. I don't go out anymore because I fall in love with musicians and that's a bad thing.  Musicians and actors.  Stay away from them, lambchops.  They'll break your heart. 

My hobby these days is refining my attitude when I reflect upon the past. I like to recall the great moments of a wonderful childhood as often as I can because I find that over time, they are all that remain, our memories.  My sister Karen is back in the hospital, I understand. Although she has told me she does not want a relationship with me, I still love and pray for her, every day. 

Fill my cup with kindness.

Saturday, April 16, 2016

NYQUIST Is 2016 Favorite to Capture the Roses

As every Kentuckian worth the salt that goes in their Hot Brown knows, the most important thing to do on Derby Day, apart from scoring a kilo of some good homegrown mint for juleps of course, is to pick the right horse.  

NYQUIST seems to be the darling of the big oval experts, having won the Juvenile at the Breeders' Cup last October.  He has adjusted to the Kentucky air and atmosphere, and seems ready to win on the First Saturday in May!

He was feeling a lil puny when he got here, had a high white cell count for a few days, but that happens with these sensitive, fragile but powerful creatures we call Thoroughbreds.  That's right.  I capitalize 'Thoroughbreds,' just like I was taught at the Thoroughbred Record way back in 1984.  

I loved working at the Record.  We were in charge of producing the oldest weekly periodical in the nation - weekly!  It was great discipline and structure, which I needed. I was young and able to run up and down the steps to run film to Art Director Enzina "Z" Mastrippolito, or downstairs to the morgue downstairs (natch) or to the art room upstairs. We even saved the old film to have the silver squeezed out of it.  Of course, technology has advanced to digital now, but 'back in my day,' means in the hayday of the Thoroughbred economy, when Keeneland sales records were soaring, John Gaines was concocting the Breeders' Cup and Queen Elizabeth II even visited our little burg. The old publications from the 1800s were stacked on the shelves down there...along with the following years of issues.

When you must work like a team to accomplish a weekly goal, every ego (on staff lol) has to be tempered to make things run smoothly.  Since that is impossible, the deadline of every Wednesday loomed an threatened better than any boss or manager.  Ya just had to get your job done and ignore your cubicle mates' issues.  It was fun! Really, it was! 

So how did I get off on that tangent?  Oh probably because I haven't visited my little blogtown of KimmyVille for a while.  I'm at the lovely Library today, and able to post a few thoughts, and gosh I have a lot to get out, coz apparently, I am woefully bad at letting off steam any other way.  I wait until I am just a babbling idiot and angry with every one I see. It is not healthy, lambsies, don't do it!  Get yourself a blog, and be the sheriff of your own world.  It's a good place to rest your spurs.  


Here are his stats, pinched from Wikipedia, just for you.  :)

SireUncle Mo
GrandsireIndian Charlie
DamSeeking Gabrielle
CountryUnited States
BreederSummerhill Farm
OwnerJ. Paul Reddam, Reddam Racing
TrainerDoug O'Neill
Record7: 7-0-0
Major wins
Best Pal Stakes (2015)
Del Mar Futurity (2015)
FrontRunner Stakes (2015)
Breeders' Cup Juvenile (2015)
San Vicente Stakes (2016)
Florida Derby (2016)
American Champion Two-Year-Old Male Horse (2015)


Well, he was named after a hockey player, not the wonky theory about time of the same name. My grandmother was a hockey player, a goalie (!) -- so I must love that about him.  Detroit Red Wings forward Gustav Nyquist never paid attention to horseracing – until NYQUIST won the $2 million Breeders' Cup Juvenile race. The Thoroughbred is owned by diehard Red Wings fan Paul Reddam, a Windsor native

*please know I am no expert on anything but making dumplings and singing alto. responsibly...and follow the BloodHorse too ;-)

Monday, February 15, 2016

Princess Bride's Tim Hull Goes From Curley To Surly

You have seen him on the KU commercials with EllIE Clark. You know him fron the Clark Funeral Home ads...or SumnerFest. Timothy Hull is someone whose face you will recognize the moment you see him. It is no surprise he has agreed to be part of The Princess Bride. He tells me,"I am playing the part of Vizzini in The Princess Bride.  The last role I played was Curley in the Woodford Theatre production of Of Mice and Men, which just finished up February 7th (Princess Bride director Courtney Waltermire played my wife Mrs. Curley [aka Evelyn], and it also starred Princess Bride actor  Walter Tunis as Lennie).  Up next is Calendar Girls, also at Woodford Theatre, and then I am directing Out of Order at Studio Players, which goes up in May.

"Vizzini is a criminal mastermind from Sicily who is hired to kidnap the princess bride, leading a small gang of dunderheaded thugs.  Unfortunately, Vizzini isn’t quite as smart as he thinks he is.  He is one of the primary antagonists of the story."

"The biggest challenge for me is that I am playing a character who was conceived in a film, and the original actor’s portrayal (Wallace Shawn) is a well-known and much-loved performance.  The director, rightly, wants us to give not an imitation of the performances, but she wants to see similar performances on stage- no wildly different interpretations or anything like that (also rightly).  So my job is to take the essence of Shawn’s performance and to do justice to the most important aspects- lines, moments, etc- of his performance.  Shawn has a very distinctive style of speech, and some very well-known lines, so I’ve needed (and continue to need) to study his interpretation to give the audiences what they’ve come to see.  It’s a great cast and a great director- people have been nailing it from the very first read through!  I am certain it will be a very enjoyable and satisfying production, both for those who know and love the movie, as well as those who haven’t yet seen it."

Hull has worked with most of the cast and the director before in various shows- Courtney Waltermire, Caitlyn Waltermire, Greg Waltermire, Tom Phillips, Walter Tunis, Chris Rose, Darius Fatemi, Ross Carter… "The people I haven’t technically acted with yet are also already doing absolutely terrific- it’s just a wonderful cast!"

"I was born and raised in Lexington, and attended Bryan Station High School (where my mom also taught).  I went to Georgetown College and majored in a bunch of different things, then transferred to Western Kentucky University as a Theatre major.  I then went to the American Conservatory Theatre in San Francisco, where I earned an MFA in Acting.  After doing some shows in the San Francisco Bay Area, I moved to New York City to do the whole starving actor thing.  I was there for two years, did several plays, and after getting ground down and fed up, I joined the Army.  I served for six years, stationed in Maryland and Alaska, and deployed to Iraq (Mosul and Baghdad) for sixteen months.  After that, I moved back home to Lexington, where I have lived for the past several years.  I’ve been doing plays regularly here for a while, and love being a part of the theatre community in Lexington.  I have also taught as adjunct theatre faculty at Transylvania University, and currently at the University of Kentucky."

 I’m not sure if it qualifies as a “secret talent” exactly, but I consider myself to be a somewhat expert on actor Marlon Brando, or at least an aficionado.  I have seen all but a handful of his films multiple times, and have read 20 plus biographies, read numerous articles, watched myriad documentaries, etc, regarding him.  He is my favorite actor.

- Timothy Hull and Princess Bride director Courtney Waltermire backstage during “Of Mice and Men”
- Timothy Hull and Holly Hazelwood Brady in Woodford Theatre’s “Sense and Sensibility” at a Jane Austen event
- Timothy Hull as one of several Napoleans (all ACT classmates) for a screening party at Francis Ford Coppola’s vineyard (Francis was wild, and Danny Devito waved at me, lol)
- Marlon Brando at a party, wearing a funny hat

Sunday, February 14, 2016

Michael Mau Courts The Princess Bride As Westley!

Caitlyn Leonard and Michael Mau
Get your leap night on, Lambchops!  It is time to make a date to be silly on February 29 and gather Downtown at the Kentucky Theatre when Off Main Actors Group presents a reading of THE PRINCESS BRIDE - at 7pm.

Michael Mau will be reading the part of Westley. His last role was Freddy the owner of the Lapin Agile in Steve Martin's Picasso at the Lapin Agile, a fall Studio Players production. 

Mau tells me his character faces the typical woes of everyday life in the land of riches and abject poverty. "As the show opens Westley is the archetypal proletariat convinced that he must attain pecuniary riches to secure his place in society and support his love, middle-class landowner Buttercup. He is forced into piracy, which, other than revenge, treachery, and brutishness, seems to be the only option for any male not of the royal bloodline." 

Moreover, the thought plickens. "Westley returns to retrieve his love only to be caught in a jingoist plot set up by ambiguously homosexual Prince Humperdinck.  Westley's good looks, strength, skill, and intelligence help satirize the plight of the working poor as they attempt to overcome the constant roadblocks set up by the ruling class."
Ross Carter, Michael Mau and Darius Fatemi
(photos courtesy of Mark Cornelison)
"As he rides off with his love, Westley leaves the monarchy intact, and having handed off his pirate's mask, he will certainly return to his role as farmhand, only this time as a landowner himself, still under Humperdinck's rule."

The cult following of the show will provide some energy to the reading, and though he has never performed a character as well-known as Westley, Mau points out he is "not playing Westley so much as I am mimicking Carey Elwes playing Westley. There is also the challenge of remembering that this is an interpretation and not acting. Our blocking is limited, we are holding scripts, and we will be competing with an audience who may be saying our lines at the same time."

"Also, Westley is a 20-something blonde swashbuckler with a baby face. I am a 40-year-old father of two with salt and pepper hair and a beard (which I have been told I must shave). I'll have some work convincing an audience that I am Westley worthy," he says of his swash-struggle.

"I am a writer, teacher, father, runner, tinkerer, artist, craftsman, and snappy dresser. I began my writing career at the prestigious Green Valley News and Sun in Arizona but was soon tricked into teaching high school. As a slave to teenagers for fourteen years, I have coached cross country and track, led an award-winning speech and drama team, won some plaques, and lost a little bit of my soul. In 2013, I transferred to  an alternative school where I work with students who have been used, abused, and dumped on our doorstep. They’re misfits like me, and I love them.
My short fiction has appeared in Black Warrior Review, Portland Review, Fifth Wednesday, Mount Hope, Firewords Quarterly, Punchnel's, Ferocious Quarterly, and other places. 'An Open Letter to America From a Public School Teacher,' originally published in McSweeney's, received national attention when it was picked up by several news outlets. My story 'Little Bird' was selected by Lily Hoang as the winner of the 2014 Black Warrior Review Fiction Contest. I received my MFA from the Bluegrass Writers Studio in central Kentucky."

Mau has worked previously with fellow cast members Ross Carter and Tommy Gatton. "I played a small role as a crazed gunman in Ross's play What Would Jesus Pack. Tommy starred in the play as the NRA spokesperson."

In succinct spirit of the script, Michael believes the best reason to see this show is simple: "True love. "

Lastly, does he have a 'secret talent?' 
As it turns out,Michael Mau is reluctant to reveal his hidden gift.  "If I told you my secret talents, they wouldn't be secret. Come to the show and I'll demonstrate one on stage!"
Now who could resist that, I ask?  See you at the show, lambsies!